colin-vian:

  Federico Zandomeneghi, A letto (In bed), 1878, Firenze, Galleria d’arte moderna di Palazzo Pitti, olio su tela, 61 x 74 cm

professorgo:

The guy on the left, since he shows clear disgust with having his picture taken suddenly without permission. The guy on the right has had so little sleep that his grip on reality and emotions has left him

I have a message for Germany. That you are all going to die. And I want you to look deep into the face of the Jew that is going to do it! 

Sex and the City (1999)

Claude Debussy – Danses sacree et profane: 2. Danse profane

bienenkiste:

"Take Two". Photographed by Ben Toms for AnOther magazine Fall 2014

remember to drink lots of water, because your insides are a swampy bog and a water shortage would affect the local frog population

J.CREW FALL 2014 COLLECTION

The porn films are not about sex. Sex is airbrushed and digitally washed out of the films. There is no acting because none of the women are permitted to have what amounts to a personality. The one emotion they are allowed to display is an unquenchable desire to satisfy men, especially if that desire involves the women’s physical and emotional degradation. The lightning in the films is harsh and clinical. Pubic hair is shaved off to give the women the look of young girls or rubber dolls. Porn, which advertises itself as sex, is a bizarre, bleached pantomime of sex. The acts onscreen are beyond human endurance. The scenarios are absurd. The manicured and groomed bodies, the huge artificial breasts, the pouting oversized lips, the erections that never go down, and the sculpted bodies are unreal. Makeup and production mask blemishes. There are no beads of sweat, no wrinkle lines, no human imperfections. Sex is reduced to a narrow spectrum of sterilized dimensions. It does not include the dank smell of human bodies, the thump of a pulse, taste, breath—or tenderness. Those in films are puppets, packaged female commodities. They have no honest emotion, are devoid of authentic human beauty, and resemble plastic. Pornography does not promote sex, if one defines sex as a shared act between two partners. It promotes masturbation. It promotes the solitary auto-arousal that precludes intimacy and love. Pornography is about getting yourself off at someone else’s expense
Chris HedgesEmpire of Illusion: The End of Literacy and the Triumph of Spectacle

If you are female, expressing hatred for your own body is not just acceptable, it’s practically de rigeur. Failure to indulge in the requisite amount of self-flagellation – my thighs! my skin! my face! – isn’t just negligent, it’s unfeminine. Self-hatred is fundamental to how femininity is constructed, more fundamental than any of the more obvious external symbols (dress, make-up, shoes). What matters is not that you are beautiful, but you know your place in the beauty hierarchy (and since every woman ages, every woman’s place will eventually be somewhere at the bottom).

Young women are encouraged to bond over their dislike of excess body hair, surplus flesh and “uneven” skin. They are meant to do so in a jovial way, egged on by perky adverts informing them what “real women” do: worry about having underarms beautiful enough for a sleeveless top, celebrate curves with apologetic booty shakes and cackle ruefully over miserable Sex-and-the-City-style lunches of Ryvita and Dulcolax. It’s a gendered ritual; men get football and booze, women get control pants and detoxes. We are supposed, of course, to be grateful. Hey, you don’t have to be perfect! Just know you’re not perfect and act accordingly, with the appropriate levels of guilt and shame!

Fairy tale after fairy tale tells us that what matters is being beautiful “on the inside” but what does that really mean? It means submission, obedience and the suppression of one’s own desires. Don’t be haughty and proud. Clean the hearth. Kiss the frog. Love the beast. Suck it up when you’re replaced by a younger model. Sure, you may look fine, but you mustn’t feel fine. You mustn’t be vain. You mustn’t be angry. All fury and pain must be turned back on itself. That way you’ll be a real princess: silent, fragile and never threatening to challenge the status quo.

and-other-stories:

Co-lab collection by Lykke Li - in stores and online September 4.

imagineyouricon:

Imagine a miniature version of your icon riding around in your pocket and giving you good advice.